Tuesday, August 17, 2010
Like watching paint dry. But it's glue.
Working on my crop art. The deadline is next Monday, Aug. 23. Coming up quick! Anyway, if you wonder what making crop art is really like, I'm blogging my very slow progress at another Blogspot site.
Sunday, August 15, 2010
Lance Ward video
South St. Paul painter and cartoonist Lance Ward talks about his near-death experience and the effect it has had on his artwork. The video is illustrated with Lance's drawings and paintings.
[Please note: Lance uses strong language near the end of this video.]
My pal Ken Avidor had the idea to videotape Lance telling this story. I tagged along to run the camera -- and I then edited the final piece. Incidentally, the Wrapped Watertower video was recorded on the way home from Lance's house, so it was a very productive trip. Thanks for inviting me along, Ken!
[Please note: Lance uses strong language near the end of this video.]
My pal Ken Avidor had the idea to videotape Lance telling this story. I tagged along to run the camera -- and I then edited the final piece. Incidentally, the Wrapped Watertower video was recorded on the way home from Lance's house, so it was a very productive trip. Thanks for inviting me along, Ken!
Sunday, August 08, 2010
All I wanted
Saturday, August 07, 2010
Monday, July 26, 2010
Video: Watertower vertical waves
Driving around on Saturday, this wrapped watertower caught my eye. To me it looked like waves in a vertical pool. Big, scary, weird. The wrap is on the tower for sandblasting -- to keep the sand from flying all over the place.
(And I guess the covering can be raised and lowered like a theater curtain. That may be the subject for some other another video.)
(And I guess the covering can be raised and lowered like a theater curtain. That may be the subject for some other another video.)
Wrapped Watertower from David Steinlicht on Vimeo.
Tuesday, June 29, 2010
Nice sign
Sunday, June 27, 2010
The corner of my eye
Sunday, June 20, 2010
Thursday, May 27, 2010
Saturday, May 08, 2010
La Crosse sign
I'm puzzled by this sign. I spotted it in La Crosse, Wisconsin. It can be read three ways. "Olympic," "Oly-Mpic" or "Ly-O-Mpic." Okay, I know it's just supposed to be Olympic, and it hints at the Olympic games' five-ring logo. I guess the designer felt a need to fill in the "O."

How's the Olympic Builders logo stack up against some other Olympic logos? Not too bad. [Click for bigger.]

This nifty post by Daughter Number Three inspired me to post my own La Crosse signage photo. Thanks for shaming me into action, D#3!

How's the Olympic Builders logo stack up against some other Olympic logos? Not too bad. [Click for bigger.]

This nifty post by Daughter Number Three inspired me to post my own La Crosse signage photo. Thanks for shaming me into action, D#3!
Tuesday, April 20, 2010
Cancellations
The Postal Service has been changing its cancellation marks. As you might expect, I'm a fan of the old way. This cancellation is much like letterpress printing. The printed image is raised and it actually touches the surface it prints on. The cancellation looks good, and the date and city information is easy to read.

The new inkjet cancellation keeps the wavy line of the original, but doesn't retain the circle with the date/city info. The dot pattern isn't tight enough to make small, readable lettering. So the letters are quite large. I'm guessing it's faster to run mail through the inkjet cancel machine because the printer doesn't actually have to touch the piece of mail -- it just sprays the surface as it goes by.

Probably the major advantage of the inkjet cancellation is it that it's programmable. Someone decides to promote Arbor Day or something? It's just an easy computer change. Still looks bad with the sloppy dot pattern, but it's quicker and easier than making a new, physical, cancel marker.

The biggest disadvantage of the inkjet cancellation is keeping the thing in focus. Yikes!

The new inkjet cancellation keeps the wavy line of the original, but doesn't retain the circle with the date/city info. The dot pattern isn't tight enough to make small, readable lettering. So the letters are quite large. I'm guessing it's faster to run mail through the inkjet cancel machine because the printer doesn't actually have to touch the piece of mail -- it just sprays the surface as it goes by.

Probably the major advantage of the inkjet cancellation is it that it's programmable. Someone decides to promote Arbor Day or something? It's just an easy computer change. Still looks bad with the sloppy dot pattern, but it's quicker and easier than making a new, physical, cancel marker.

The biggest disadvantage of the inkjet cancellation is keeping the thing in focus. Yikes!
Sunday, April 18, 2010
Zoom in on "Foot In The Door 4"
The Minneapolis Institute of Arts' Foot In The Door 4 exhibit is all about quantity. And context.
Delores's piece is on display as you enter the exhibit. We were worried it would be on the sculpture area, but fortunately it was hung on the wall.
As with all these pictures, click for a closer view.

Sandra's piece also has a pretty good position -- you can get a good look if you bend over a little bit.

Roz got the very bottom of the display. Actually, it's kinda nice -- she has one side completely to herself.

Linda wasn't real lucky with her placement -- she's in a corner. And the glass on her frame adds sharp reflections of her neighbors art to her piece.

Kirk snared a very good spot in the sculpture forest. I think his display here on the table is equally as good as if he had been on the wall -- except he got an extremely rare and valuable corner spot! Two sides free from other art! Excellent work, Kirk!

Jil also snared a window seat for her entry. Very nice!

Steve was not so lucky with his 3-dimensional piece. It's positively buried in a thicket of other sculptural pieces. Bummer!

The photo below and at the left is of a regular Minneapolis Institute of Arts gallery sign -- jumbled in with the "Foot In The Door" artwork. Amusing.
And finally, I have a complaint about the "Foot's" artist catalog, available online and in kiosks and on computers in the exhibit itself. For some reason, the art is displayed in groups that are nine rows across. A normal computer screen will only display four or five rows at a time.
This nine-row configuration means in order to see everything on each screen, you have to scroll up and down AND scroll left and right. A major pain -- and a major usability blunder.
Why didn't they just put four rows per screen? Then you would be able to click and scroll your way through a large amount of entries without undue mouse futzing. (I've Photoshopped together a nine-rows-wide screen below.)
The "Artworks" viewer is labeled "beta," so I hold out hope that something will eventually be done to make it easier to view the artist information.

Complaining aside -- what an amazing show! Five thousand pieces! Overwhelming!
Note: And here is some crop art that made it into the "Foot" show.
Delores's piece is on display as you enter the exhibit. We were worried it would be on the sculpture area, but fortunately it was hung on the wall.
As with all these pictures, click for a closer view.

Sandra's piece also has a pretty good position -- you can get a good look if you bend over a little bit.

Roz got the very bottom of the display. Actually, it's kinda nice -- she has one side completely to herself.

Linda wasn't real lucky with her placement -- she's in a corner. And the glass on her frame adds sharp reflections of her neighbors art to her piece.

Kirk snared a very good spot in the sculpture forest. I think his display here on the table is equally as good as if he had been on the wall -- except he got an extremely rare and valuable corner spot! Two sides free from other art! Excellent work, Kirk!

Jil also snared a window seat for her entry. Very nice!

Steve was not so lucky with his 3-dimensional piece. It's positively buried in a thicket of other sculptural pieces. Bummer!

The photo below and at the left is of a regular Minneapolis Institute of Arts gallery sign -- jumbled in with the "Foot In The Door" artwork. Amusing.
And finally, I have a complaint about the "Foot's" artist catalog, available online and in kiosks and on computers in the exhibit itself. For some reason, the art is displayed in groups that are nine rows across. A normal computer screen will only display four or five rows at a time.
This nine-row configuration means in order to see everything on each screen, you have to scroll up and down AND scroll left and right. A major pain -- and a major usability blunder.
Why didn't they just put four rows per screen? Then you would be able to click and scroll your way through a large amount of entries without undue mouse futzing. (I've Photoshopped together a nine-rows-wide screen below.)
The "Artworks" viewer is labeled "beta," so I hold out hope that something will eventually be done to make it easier to view the artist information.

Complaining aside -- what an amazing show! Five thousand pieces! Overwhelming!
Note: And here is some crop art that made it into the "Foot" show.
Thursday, April 15, 2010
Ride the Ducks postcards
My friend Doug sent me some Wisconsin Dells postcards. I never knew there were so many variations on the Ride-the-Ducks theme!
Click to enlarge.


Update: A few more Ducks postcards.
Click to enlarge.


Update: A few more Ducks postcards.
Saturday, February 06, 2010
"Foot In The Door 4" submission process
Today about 3:30 p.m., we went to the Minneapolis Institute of Art to take part in the "Foot In The Door" free-for-all. Any Minnesota artist can participate -- your piece of art just has to be one cubic foot or less. It took 45 minutes from the end of the line to the sign-in. (Click picture for bigger view.)

Signage along the way to keep Foot-In-The-Door art from socializing with the real art.

The Curator (center) was harsh -- but fair.

Checking in. It's the "We Love Katamari Clock" I did for the 2007 State Fair Crop Art exhibit/competition.


Got a ribbon that says "artist" on it, a refrigerator magnet and a receipt for the art -- to be picked up in June.
The show starts February 19. We overheard that close to 4,000 submissions had been taken by Saturday afternoon.
Last day for submissions is Sunday, February 7, from 11 a.m. through 4:30 p.m.
Update: I was checked in by Andy Sturdevant. I know that only because the guy checking me in asked me if I knew a guy named Dane Steinlicht. I said, "Sure! That's my nephew!" I didn't ask his name, but I saw he signed the return receipt "Andy St." So I asked Dane about some guy named "Andy St.-something" and showed Dane the picture and Dane said "Oh yeah, I know him. He has a great blog." So I went to the blog and there's the guy's name. Cool. And the blog is fun, too. Here's a link to Andy's blog. Thanks, Andy! Thanks, Dane!

Signage along the way to keep Foot-In-The-Door art from socializing with the real art.

The Curator (center) was harsh -- but fair.

Checking in. It's the "We Love Katamari Clock" I did for the 2007 State Fair Crop Art exhibit/competition.


Got a ribbon that says "artist" on it, a refrigerator magnet and a receipt for the art -- to be picked up in June.
The show starts February 19. We overheard that close to 4,000 submissions had been taken by Saturday afternoon.
Last day for submissions is Sunday, February 7, from 11 a.m. through 4:30 p.m.
Update: I was checked in by Andy Sturdevant. I know that only because the guy checking me in asked me if I knew a guy named Dane Steinlicht. I said, "Sure! That's my nephew!" I didn't ask his name, but I saw he signed the return receipt "Andy St." So I asked Dane about some guy named "Andy St.-something" and showed Dane the picture and Dane said "Oh yeah, I know him. He has a great blog." So I went to the blog and there's the guy's name. Cool. And the blog is fun, too. Here's a link to Andy's blog. Thanks, Andy! Thanks, Dane!
Wednesday, January 27, 2010
"Cornered!" tour bus pulls into St. Paul
The on-going promotional tour for "Cornered! A slightly askew look at our pop-culture landscape" comes to downtown St. Paul. There's a book signing tomorrow -- Thursday, Jan. 28, 4:30 to 6 p.m. at the Pioneer Press Gallery, 345 Cedar Street.
Okay, so the bus is a Photoshop creation -- and since the signage covers part of the driver's side window, it's in violation of some kind of rule. Still. A bus! With an ad for the book on it! (This approach seemed to work pretty well for Sarah Palin.)
Okay, so the bus is a Photoshop creation -- and since the signage covers part of the driver's side window, it's in violation of some kind of rule. Still. A bus! With an ad for the book on it! (This approach seemed to work pretty well for Sarah Palin.)
Saturday, January 23, 2010
Wings
Thursday, January 21, 2010
Makes being sick look like fun
Monday, January 18, 2010
Packaging mood swing
Sunday, January 17, 2010
I keep forgetting
Sunday, December 06, 2009
Welcome to Rice Park
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